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TEL AVIV, ISRAEL - FEBRUARY 07: (ISRAEL OUT) Israelis visit a multimedia art exhibition entitled "Van Gogh Alive" featuring the work of the painter Vincent van Gogh, on February 7, 2013 in Tel Aviv, Israel. The exhibition explores the work of the artist through more than 3,000 images, across giant screens, walls and floors allowing the viewer to see his paintings in microscopic fine detail. (Photo by Uriel Sinai/Getty Images)

Since she graduated with a MFA from the Yale School of Art Tschabalala Self has delighted in brilliant accomplishment with her unmistakable works portraying dark and transcendentally female figures in a mix of printmaking, painting and collage fabric.

These abundant, lavishly finished “symbols”, as Self calls them, both grasp and perplex aggregate dreams and suspicions encompassing the dark female body. Now and then divided, once in a while with misrepresented body parts and regularly suggestive, Self’s figures mirror her own encounters and social perspectives towards race and sex. Simultaneously, in the craftsman’s words, they “exist for their own pleasure and self acknowledgment”.

Self experienced childhood in Harlem, and the local’s roads and bodegas (little, frequently Latino-run corner shops) include in her work, strikingly in her Bodega Run arrangement appeared in London, New York and Shanghai, which finished a year ago in a vivid establishment in the anteroom of the Mallet Exhibition hall in Los Angeles.

The urban situations of Harlem and its networks are additionally in proof in Out of Body, Self’s performance appear at Establishment of Contemporary Craftsmanship Boston (20 January-5 July)— her biggest display to date. She is additionally contributing four works and a divider painting to Radical Figures, the Whitechapel Display’s anticipated overview of metaphorical artistic creation, opening in February.